To score points, you need a lot of consistent effort over the course of the game. If you're throwing it or running it in, it's not a big difference in terms of the score at all, obviously. But turnovers limit your scoring. That's the problem with turnovers.
I'm a big fan of the American Tapes label. But that's very hard to keep a grip on that because you blink your eyes and they've released three records, all of which are limited edition, all sold at one show. So you have to follow in drips and drops on eBay, which I do.
Whether youβre a veteran or a millennial, itβs hard to argue that big government has solved your problems efficiently, if at all.
I used to think religion was just more of the same thing. Dump responsibility on the big guy. Now I see an importance in that. It's a relief to accept that not everything is under your control.
There's a lot of big guys who can play-make. We put labels like, 'Oh, he's a point guard, he's a center.' But sometimes your center can play-make for you and not just be the center, boxing out for rebounds and playing in the post.
I really like Kickstarter because you don't have to be a Medici to fund the arts and sciences or to get behind a big idea or a person that sparks your imagination. It's a type of microfunding directed toward creators.
Your first responsibility is to the organization, to teach and prepare players to get to the big leagues and have them ready when they get there, but everyone in the minors wants to be in the majors.
Once you turn pro and you're making the big money and kids are buying your sneakers and your skates and your gloves and so on, you are a member of that role model club.
Statistically, I'd say comedy writers are perhaps the sanest category of show people. And why not? They make big money, and although it's not an easy trade - particularly when you're at your galley oar five days a week - it's easier on the nerves and the psyche than living with the brain-squeezing pressure and cares of being the Star.
Your big opportunity may be right where you are now.
Your spoken voice is a part of it - not a big part of it, but it's something. It puts people at ease, and once again kind of reaches out and makes a bridge for what's otherwise difficult music.
When your own fans whistle and jeer, then you have a big problem.
Being the full-time quarterback, there is a big responsibility to stay healthy for your team.
There's a certain cruelty to being on a big screen as your eyelids start to sag and your hair falls out and turns gray that you either have to be able to handle or not. What you can't do is try to force yourself into roles that you could have played or would have played ten years earlier.
Everybody has terrible things that they deal with. Everybody. Just because you're some big shot rock star doesn't mean you're immune to having these awful tragedies in your life.
Whenever there's a big story with vast potential to get social media content and find out what's happening, your first object is to prod into that and then test it to see whether it's valid. If you don't do the second part, you're basically a bilge pump.
It's sometimes hard to wrap your head around a big story, and for most of us drawing editorial cartoons 9/11/ 01, that was the biggest story of our professional lives.
My suggestion to newspapers everywhere is to give the public a reason to read them again. So here's an idea: get on a big story with widespread public appeal, devote your best resources to it, say a quiet prayer, and swing for the fences.
Basketball is big stuff in New York. If you're good in it, everybody respects you. Nobody would want to ruin your shooting eye or your shooting arm.
Everyone can get a little sloppy with cash and it's smart to notice. But what's squeezing you is the big stuff you ladle onto your credit cards.
