My name is not unfamiliar to anybody in the dance community. I'm talking the upper echelon of dance studios.
Theatre is different. We can spend two weeks around a table talking about subtext. In opera, there is a score, and people already know their parts. And they move differently. I find all this liberating.
The reason I dislike talking about the creative process is that I do have a creative process that is a winner and it's a sure thing.
Telling writers to shut up is a sure way to keep them talking.
Years later, when I was working as a trolley wally in a supermarket, I tackled the boredom by talking to the customers in as many different accents as I could manage. I started with one that I didn't think would alert any suspicion - generic Asian - then moved on to Irish, Welsh, Australian and American.
Talking about money is garish. It's tacky.
The focus should not be on talking. Talk is cheap. It must be on action.
I do like talk shows. I'm interested in talking to people.
I was very chatty and talkative and always getting sent out of class for talking too much and not paying attention, passing notes.
My mother was a listener. I'm a talker. I'm very comfortable talking.
I grew up with The Beatles, Bob Marley and Talking Heads. I like the melody-with-rhythm aspect of music - there's so much to discover still.
I don't pick and choose what LeBron should talk about any more than any talking heads who try to pick and choose.
I made several short films with very little dialogue. I'm still not a fan of talking heads. My stories are told with images as much as possible.
In early 1983, Gary Goetzman and I went to see my favorite band, the Talking Heads, at the Hollywood Bowl in Los Angeles. The show was like seeing a movie just waiting to be filmed.
I was a Talking Heads fan from the very beginning.
I'm not a trained musician. When folks talk about 'Well, you go to this or that' - the tenor, or the third part - I don't really know what they're talking about.
I terminated the interview when I didn't know what he was talking about and went upstairs to lunch.
We're told another large-scale terrorist attack is inevitable by those people who have committed so many resources to preventing it. They likely know what they're talking about.
I think talking things out is therapeutic.
I want to show that theater isn't just talking about feelings or people wearing tights.
