The chain of wedlock is so heavy that it takes two to carry it - and sometimes three.
When I'm working, even though it's sometimes challenging and difficult, there's still no place I would rather be.
I'm a go-hard type. It's in my DNA. I physically prepare my body as if I'm a trained athlete. After the shows, I sit in an ice tub and do a hot dip, cold dip, and sometimes I sit in a hyperbaric chamber to rejuvenate my energy.
I like track suits and sometimes to be suited up. I like to be like a chameleon.
There are sometimes easier games and others harder, but the Champions League always requires enormous concentration.
Like a typical Gemini I'm changeable, I can be two different types of people. I can be very outgoing, but sometimes very shy.
Sometimes, like in 'Invisible Monsters,' I get too out of control, and instead of a plot point every chapter, I want a plot point in every sentence.
I was always a character actor, basically, that sometimes looks like a leading man.
Sometimes as writers, we try and put narrative development above character development. We try to move our characters around like chess pieces that do our bidding. The problem with that is sometimes the characters do things they shouldn't do. Things that are inorganic.
I think I'm very strong at dialogue, I think I'm very strong in characterization. I think sometimes I use dialogue and character work to cover weaknesses in my plotting.
I prefer lump charcoal over briquettes but I do use both for different reasons and different recipes and sometimes I combine them both when I really want the woodsy aroma from the lump charcoal and long, even heat from the briquettes.
Culinary tradition is not always based on fact. Sometimes it's based on history, on habits that come out of a time when kitchens were fueled by charcoal.
I think sometimes all the charities are doing is mopping up the blood. It's a shame.
I had an AM radio and listened to Al Green, Kenny Rogers, Stevie Wonder, Charley Pride and Cheap Trick - sometimes in the same hour on the same station!
Are we, as humans, gaining any insight on how to talk about ourselves and how something as abstract as a Charlie Parker record gets us into a dialogue about our emotions and our thoughts? Sometimes we lose sight that the music has a wider context. So I want to continue those dialogues. Those are the things I want to foster.
If it's just screaming - and I know this sounds so ridiculous - that gets old. But sometimes when there's literal chaos, it's like being in a war zone, and that's kind of exciting. You're just running through the crowd of people chasing after you and no one knows what's going on.
There's a lot of chatter in basketball and, rightfully, you want players to be talking to each other... But sometimes in practice, it gets too verbose... so I tried to take things out of the ordinary and make them special so they'd understand the difference.
To be seventy years young is sometimes far more cheerful and hopeful than to be forty years old.
Sometimes 'Rookie' is written about like, 'Finally! Something for alternative girls!' and I'm like, 'No!' Obviously it's not for everyone, but I used to think that there are cheerleaders, and there are art kids.
Sometimes, early in their careers, chefs make the mistake of adding one too many things to a plate to get attention. If a chef is just coming up with wiz-bang gimmicks on their plate, that has nothing to do with bringing real pleasure to people.
