The simple fact is that what you see on the screen is pretty much real.
I became hooked on 'In Treatment,' which was so finely written and performed. Such a simple idea, and yet it delved into very complex territory with real grace and humanity.
It is the sweet, simple things of life which are the real ones after all.
I always say that 'Futurama' is real, and 'The Simpsons' is fiction.
Now that I live in Los Angeles, if I meet somebody from Detroit, it's like there's this brother- or sisterhood, where we're real folks.
Nothing's as easy as it is on a sitcom. Issues that we take care of in 20 minutes on the show can stretch out over years in real families.
Steve had a real sixth sense about so many things. He had an odd connection with wildlife. He was extraordinarily intuitive with people. I found it all very - I don't know if 'eerie' is the word, but remarkable, certainly.
It's - the working class of San Francisco and the Bay Area is being pushed out of its old neighborhoods because of the skyrocketing cost of housing, and there's no real working class left because these are jobs for engineers and managers and designers - very smart people.
I'd like to challenge Ryback to a match - in real life - just to see. I think I could take him, but I wonder how Ryback would react to getting slapped.
Slash and I hadn't talked in 19 years, and when we did talk, I was like, 'You wrote a lot of stuff that didn't even happen. It's not real.'
The real shame about the ending of the Guns N' Roses when I got kicked out wasn't just that I got kicked out, but Slash and Axl stopped working together.
We say we want politicians who are open and honest. And then, when we get one, we angrily pelt him with slime until he cringes to the mob, starts hiding his real views, and hires a spin doctor just like all the others.
I grew up in a slum neighborhood - rows of tenements, with stoops, and kids all over the street. It was a real neighborhood - we played kick-the-can and ring-a-levio.
I don't belong to the slums, but to play Naru in 'City Of Gold,' I had to live for months in a real chawl before we shot the film.
I never thought for one second I'd be able to play with a real band. When I was in high school, I went through a lot of bad treatment and was called a lot of names by boys because I wanted to play. Sly was different.
We want real job creation and a fertile business environment for small business owners.
I love the Smithsonian. I'm a real dork for that kind of stuff.
When life is real, it's not going to be smooth.
I, of course, wanted to play real jazz. When we played pop tunes, and naturally we had to, I wanted those pops to kick! Not loud and fast, understand, but smoothly and with a definite punch.
Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room.
