I definitely do not like Halloween. I don't like masks, creepy clowns, dark things, goblins or witches. They're not just my thing.
I would hope they would be our fellow artists, rather than trying to emulate or idolize clowns like us.
I have not seen 'It' because I don't like horror movies. I don't mess with clowns or demons.
I had not been in the jazz environment, having been brought up in the church. But once I got to New York, and I was signed to perform at The Village Gate and the Vanguard and clubs like that, and these - the Vanguard was one of the most elite, if not the most elite, jazz club out there.
I'm not necessarily that big of a clubbing junkie, but I really like dance music as a genre.
I don't like to go out to parties or clubbing, and I kind of like my anonymity.
Whenever I get a little chance to get to Orlando, I like to take a couple days' break with the family, just hang out, go clubbing around town.
I was a tomboy. In my clubbing days, my friend Lucy Davies-Hunt - half-Iranian, looked like Yasmin Le Bon - could wear catsuits, while I was the one in the sweatshirt, jeans, and Fila boots.
I don't think I represent all things dubstep. I just like clubbing, so those are the sounds I've chosen to work with.
You can't have a U.S. Open anymore without an extra course to store all the hospitality tents. I used to be able to drive up to the clubhouse and park like the players. Now, there are seven corporate hospitality guys who have my spot, and I'm on a bus.
I like to play small clubs.
Some of my songs are turnt up, but that's just 'cause I have to make 'em like that so the clubs can play them.
I don't like going out. I hate clubs. I hate being around too many people.
A lot of companies are clueless, because they spend most or all of their security budget on high-tech security like fire walls and biometric authentication - which are important and needed - but then they don't train their people.
Time is compressed like the fist I close on my knee... I hold inside it the clues and solutions and the power for what I must do now.
I have about 20 to 25 platonic relationships with women all across the board from professional to artistic and they always give little clues on what they like.
You get to crack the code of the play. You get to really pick at it and see, 'What is the story that we're telling?' 'What are the clues in the text that I can find that will help inform what story we're telling?' It's almost like a detective mystery.
Some days, I feel like being known as a smart players, sometimes clutch.
Squid don't eat jellyfish, but they eat the things that eat the jellyfish. Jellyfishes put on a lightshow to attract a larger predator. It's caught in the clutches of something like a fish and has no hope for escape unless its lightshow attracts something bigger that will attack their attacker.
People attach too much importance to intangibles like heart, desire and clutch hitting.
