However you feel about Dimebag, this is one of the most influential metal guitar players of the '90s. I was just talking to someone that I am hiring to bring on the tour who said that, when he was at the funeral, that Eddie Van Halen came and put his striped guitar in the coffin. That's a pretty big deal.
If I let a blue mood run rampant, before I know it I'm obsessing about the color of the satin lining in my coffin - will it match my dress? That's when I feel like Alice in Cancerland falling down the rabbit hole and just have to stop.
A good novel should be deeply unsettling - its satisfactions should come from its authenticity and its formal coherence. We must feel something crucial is at stake.
Unless the law issues from all of the people, some of the people will feel left out. They will come to feel alienated. They will be angry. And this will not be a cohesive democracy.
The world is so unpredictable. Things happen suddenly, unexpectedly. We want to feel we are in control of our own existence. In some ways we are, in some ways we're not. We are ruled by the forces of chance and coincidence.
When I was younger, I liked money - the feel of it. I would sit with my dad and count his coins and be like, 'Yeah.' I'd saved £700 by the age of 10. I thought: 'What the hell am I hoarding this for?' So I bought a drum kit.
I feel the 21st century is another new age. Not only can we collaborate again with nature, but we have to. It's an emergency.
I feel like collaborating is something I need to try more of.
As with any actor and any collaborator, it's about forming a trusting relationship. And that's not that you have to get him to trust you so you can get him to do what you want. Especially with a little kid, it's about making them feel really safe, and getting to know and not treating them as a puppet to be moved around.
I could feel his muscle tissues collapse under my force. It's ludicrous these mortals even attempt to enter my realm.
I have a thing where if I'm not in control, I feel the whole world is about to collapse.
Obviously it happens very fast on the field during the game; if anything, it's more of a feel. You feel when the pocket is collapsing around you. You feel when someone is close to you. It is a split-second decision.
I'm not the least bit polished, I come from a blue collar background and I never thought I could feel comfortable around the English.
It felt like being in the center of the world, and I felt like I was a witness to history and I knew that the whole world was watching on television. So, I could feel the collective consciousness of the world focused on this little strip of land called Seattle.
Our schools and colleges are turning out people who cannot feel fulfilled unless they are telling other people what to do.
I know people are pretty well embarrassed just at the mention of colon cancer. Sticking a tube in you to find out what's wrong is not a nice thing. But I can tell them, a 30- or 40-minute test is worth it. We have to make them feel more comfortable about getting screened.
In the Royal Ballet Company, there was a Japanese principal dancer, and onstage and in ballet, they have colorblind castings - so I did see Asian dancers, and they were always my favorite. When you have someone who looks like you, it's something you can kind of grab onto, and it makes you feel better about your place in the world.
Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
A lot of times I watch TV and I watch film and there's so many things I'd love to talk about that I feel don't get the opportunity to be shown. Sometimes things become very stereotypical and one-sided, and I feel like it's such a colorful world.
I feel very proud of the work from the '80s because it is very bright and colorful.
