She serves me a piece of it a few minutes out of the oven. A little steam rises from the slits on top. Sugar and spice - cinnamon - burned into the crust. But she's wearing these dark glasses in the kitchen at ten o'clock in the morning - everything nice - as she watches me break off a piece, bring it to my mouth, and blow on it. My daughter's kitchen, in winter. I fork the pie in and tell myself to stay out of it. She says she loves him. No way could it be worse.
And I think now, as my fiftieth birthday draws near, about the American novelist Thomas Wolfe, who was only thirty-eight years old when he died. He got a lot of help in organizing his novels from Maxwell Perkins, his editor at Charles Scribner’s Sons. I have heard that Perkins told him to keep in mind as he wrote, as a unifying idea, a hero’s search for a father. It seems to me that really truthful American novels would have the heroes and heroines alike looking for mothers instead. This needn’t be embarrassing. It’s simply true. A mother is much more useful. I wouldn’t feel particularly good if I found another father.
His love wrote the first chapters of my life and is the reason I never had to wonder if I was adored.
We were a religious sect consisting of two people, and now half the congregation was gone. There would be no closure, no healing. I would simply adjust myself to a new and severely depleted reality. The world would come to an end, as it always does, one world at a time.
Fathers are biological necessities, but social accidents.
Slumber not in the tents of your fathers. The world is advancing.
In peace, sons bury their fathers. In war, fathers bury their sons.