Quotes Tagged "books"

Thus, in a real sense, I am constantly writing autobiography, but I have to turn it into fiction in order to give it credibility.

Read a lot. But read as a writer, to see how other writers are doing it. And make your knowledge of literature in English as deep and broad as you can. In workshops, writers are often told to read what is being written now, but if that is all you read, you are limiting yourself. You need to get a good overall sense of English literary history, so you can write out of that knowledge.

If there is no mystery, for the artist, to solve inside of his art, then there's no point in it. . . . for me, every act of art is the act of solving a mystery.

To care about words, to have a stake in what is written, to believe in the power of books - this overwhelms the rest, and beside it one's life becomes very small.

Now may this little Book a blessing be To those that love this little Book, and me: And may its Buyer have no cause to say, His money is but lost, or thrown away.

I think the reason why I don't read so much, is because as I have observed, whole books all boil down to a drop of essence. You can read a book full of ten thousand words and at the end, sum it up in one sentence; I am more for the one sentence. I am more for the essence. It's like how you need a truckload of roses to extract one drop of rose oil; I don't want to bother with the truckload of roses because I would rather walk away with the drop of rose oil. So in my mind, I have written two hundred books. Why? Because I have with me two hundred vials with one drop of essence in each!

Be thankful for the people who have stood by you and cheered you on, but don't forget to be thankful for the ones that said it could not be done. Writing a book is no small task and even the skeptics can help you get where you want to be!

It's my contention that each book creates its own structure and its own length. I've written three or four slim books. It may be that the next novel is a big one, but I don't know.

I had written all I was going to write, if the truth had been known, and there is nothing wrong with that. If more writers knew that, the world would be saved a lot of bad books, and more people--men and women alike--could go on to happier, more productive lives.

... And the only way to find that honesty is to not overthink it. For your writing to come alive--to be multi-dimensional--you must barter away some control.

Many writers write because they’ve been there, seen that, did it and burnt their fingers

Don't believe in everything that is written. Not everything that is written is true

You never know, of course, when you write a book what its fate will be. Sink out of sight, soar to the sun–who knows. I love this quote from Frances Mayes. It pretty much sums up the Great Unknown of book writing.

If I can write, who possibly can’t. Even drawing a line in the sand is writing

Novelists,’ said Ivo, ‘are to the nineties what cooks were to the eighties, hairdressers to the seventies and pop-stars to the sixties… Merely, you know, an expression of the Zeitgeist, Nobody actually reads novels any more, but it’s a fashionable thing to be a novelist – as long as you don’t entertain people of course. I sometimes think,’ said Ivo, his eyes like industrial diamonds, ‘that my sole virtue is, I’m the only person in London who has no intention of writing any kind of novel, ever.

No, I am not imagining a book-burning, warmongering, anti-intellectual fascist regime – in my plan, there is no place for re ghters who light up the Homers and Lady Murasakis and Cao Xueqins stashed under your bed – because, for starters, I’m not banning literature per se. I’m banning the reading of literature. Purchasing and collecting books and other forms of literature remains perfectly legitimate as long as you don’t peruse the literature at hand.

I’ve always loved the night, when everyone else is asleep and the world is all mine. It’s quiet and dark—the perfect time for creativity.

I learned from the age of two or three that any room in our house, at any time of day, was there to read in, or be read to.

If we were to understand how important it is to say something and say it well, maybe we wouldn’t write a single word, but that would be tragic.

I am beginning to be sorry that I ever undertook to write this book. Not that it bores me; I have nothing else to do; indeed, it is a welcome distraction from eternity. But the book is tedious, it smells of the tomb, it has a rigor mortis about it; a serious fault, and yet a relatively small one, for the great defect of this book is you, reader. You want to live fast, to get to the end, and the book ambles along slowly; you like straight, solid narrative and a smooth style, but this book and my style are like a pair of drunks; they stagger to the right and to the left, they start and they stop, they mutter, they roar, they guffaw, they threaten the sky, they slip and fall... And fall! Unhappy leaves of my cypress tree, you had to fall, like everything else that is lovely and beautiful; if I had eyes, I would shed a tear of remembrance for you. And this is the great advantage in being dead, that if you have no mouth with which to laugh, neither have you eyes with which to cry.