Quotes Tagged "books"

I sat, a solitary man, In a crowded London shop, An open book and empty cup On the marble table-top. While on the shop and street I gazed My body of a sudden blazed; And twenty minutes more or less It seemed, so great my happiness, That I was blessed and could bless.

The poet must always, in every instance, have the vibrant word... that by it's trenchancy can so wound my soul that it whimpers.... One must know and recognize not merely the direct but the secret power of the word; one must be able to give one's writing unexpected effects. It must have a hectic, anguished vehemence, so that it rushes past like a gust of air, and it must have a latent, roistering tenderness so that it creeps and steals one's mind; it must be able to ring out like a sea-shanty in a tremendous hour, in the time of the tempest, and it must be able to sigh like one who, in tearful mood, sobs in his inmost heart.

Sonnet 23 As an unperfect actor on the stage, Who with his fear is put besides his part, Or some fierce thing replete with too much rage, Whose strength's abundance weakens his own heart; So I, for fear of trust, forget to say The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'ercharg'd with burden of mine own love's might. O, let my books be then the eloquence And dumb presagers of my speaking breast; Who plead for love, and look for recompense, More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit.

Dreams, books, are each a world; and books, we know, Are a substantial world, both pure and good: Round these, with tendrils strong as flesh and blood, Our pastime and our happiness will grow.

A tough life needs a tough language—and that is what poetry is. That is what literature offers—a language powerful enough to say how it is.

For books are more than books, they are the life The very heart and core of ages past, The reason why men lived and worked and died, The essence and quintessence of their lives.

Will grinned. “Some of these books are dangerous,” he said. “It’s wise to be careful.”“One must always be careful of books,” said Tessa, “and what is inside them, for words have the power to change us.”“I’m not sure a book has ever changed me,” said Will. “Well, there is one volume that promises to teach one how to turn oneself into an entire flock of sheep—”“Only the very weak-minded refuse to be influenced by literature and poetry,” said Tessa

A precious, mouldering pleasure ’tis To meet an antique book, In just the dress his century wore; A privilege, I think, His venerable hand to take, And warming in our own, A passage back, or two, to make To times when he was young. His quaint opinions to inspect, His knowledge to unfold On what concerns our mutual mind, The literature of old

A precious, mouldering pleasure ’t is To meet an antique book, In just the dress his century wore; A privilege, I think.

[Kieran]his head propped on a stack of poetry books he’d brought from the library. Almost all of them had been inscribed on the inside cover by a James Herondale, who had neatly written out his favorite lines.

I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words.

But words are things, and a small drop of ink,       Falling like dew, upon a thought, produces That which makes thousands, perhaps millions, think;       ’T is strange, the shortest letter which man uses Instead of speech, may form a lasting link       Of ages; to what straits old Time reduces Frail man, when paper — even a rag like this, Survives himself, his tomb, and all that’s his.

A book, a book full of human touches, of shirts, a book without loneliness, with men and tools, a book is victory.

Yes, I read. I have that absurd habit. I like beautiful poems, moving poetry, and all the beyond of that poetry. I am extraordinarily sensitive to those poor, marvelous words left in our dark night by a few men I never knew.

The House Was Quiet and the World Was Calm The house was quiet and the world was calm. The reader became the book; and summer night Was like the conscious being of the book. The house was quiet and the world was calm. The words were spoken as if there was no book, Except that the reader leaned above the page, Wanted to lean, wanted much to be The scholar to whom his book is true, to whom The summer night is like a perfection of thought. The house was quiet because it had to be. The quiet was part of the meaning, part of the mind: The access of perfection to the page. And the world was calm. The truth in a calm world, In which there is no other meaning, itself Is calm, itself is summer and night, itself Is the reader leaning late and reading there.

The sun loved me again when it saw that the stars would not abandon me.

Poetry isn’t an island, it is the bridge. Poetry isn’t a ship, it is the lifeboat. Poetry isn’t swimming. Poetry is water.

The Author To Her Book Thou ill-formed offspring of my feeble brain, Who after birth did'st by my side remain, Till snatcht from thence by friends, less wise than true, Who thee abroad exposed to public view, Made thee in rags, halting to th' press to trudge, Where errors were not lessened (all may judge). At thy return my blushing was not small, My rambling brat (in print) should mother call. I cast thee by as one unfit for light, The visage was so irksome in my sight, Yet being mine own, at length affection would Thy blemishes amend, if so I could. I washed thy face, but more defects I saw, And rubbing off a spot, still made a flaw. I stretcht thy joints to make thee even feet, Yet still thou run'st more hobbling than is meet. In better dress to trim thee was my mind, But nought save home-spun cloth, i' th' house I find. In this array, 'mongst vulgars may'st thou roam. In critic's hands, beware thou dost not come, And take thy way where yet thou art not known. If for thy father askt, say, thou hadst none; And for thy mother, she alas is poor, Which caused her thus to send thee out of door.

I only wrote prose before I met you. My musings were superfluous and serious as well. But now the words dance with me. I sing with them and we create poetry.

I left the bank because they wouldn’t deposit my cheque of poems. So I went to the store, but they didn’t accept my currency of words. So I boxed all my stories and took them to charity. But they refused my donation and asked me to give blood instead. I opened the notebooks and made them look, 'What do you think I wrote these in?