In the South we experienced, you know, some black kids who gave us a hard time because - cause 'you talk white.' We didn't talk white. We talked fairly proper. Plus, we had a Midwestern accent, so we didn't have a Southern accent, either. So it wasn't really talking white; it was talking different.
If a filmmaker is making a movie about a nice Midwestern family or a story that needs a very white character or a black or a Chinese, then I don't expect to go up for it. But I know, especially in places like New York, there's no excuse not to see various colors.
In the years after World War I, blacks began to migrate to the North and its imagined freedoms in great numbers - 'Russian' came to mean a black who had rushed from the South.
The first Black Migration to this country was forced migration. It was the Middle Passage.
Gary is a old factory town right outside Chicago. From my standpoint, my family migrated there in the '50s and '60s from Mississippi - Sardis, Mississippi - shout out to Sardis, Mississippi. My family migrated there just like a lot of black families in that area: they migrated there to get jobs, to get those factory jobs, that steel mill job.
To win the nomination, you speak to people who vote in Republican primaries. And they tend not to be millennials or minorities... When I win the nomination and show up at a black church, they say, 'Where have you been Mr. Romney?'
If you are born poor, whether white or black, you are going to be in a bad neighborhood and go to a bad school. If you are making three million dollars a year, a couple hundred thousand in taxes ain't gonna kill you.
I do a chimichurri sauce with garlic, parsley, olive oil, and red and black pepper. You just mince the garlic and the parsley and mix it all together. Brush a little of that on a steak and it kicks it up, like, 10 notches.
Whether the issue was black political power or nuclear power, Scott-Heron didn't mince words. His comeback record, 'I'm New Here,' doesn't mince words either, but instead of political battles, these songs suggest he's fighting personal ones.
My father use to say if coal died, the country died. He was right. Our economy rests on the back of the coal miner. If we did not have the black diamonds of the mountains to burn, we would lose more than half of the nation's energy reserves.
I grew up listening to my dad, a miner who rose through the ranks to be the mine superintendent in Coalwood, W.V. , yelling orders into his black company phone. He wanted to get coal out of the ground and into coal cars and on its way to steel mills.
The Sixth Sense is not a good white film. Insomnia is not a good white film. They're just good films. So why we can't we have good films that happen to have black people, or Asian, or Latino, or any other minority group in them?
The enormous success of 2009's 'The Blind Side,' in which Sandra Bullock makes a black teenager one of the family, demonstrates that America isn't post-racial. It is thoroughly mired in race - the myths that surround it, the guilt it inspires, the discomfort it causes, the struggle to transcend it.
The white man's happiness cannot be purchased by the black man's misery.
If people feel misled or deceived, then sorry that they feel that way, but I believe that's more due to their definition and construct of race in their own minds than it is to my integrity or honesty, because I wouldn't say I'm African American, but I would say I'm black, and there's a difference in those terms.
The idea that RBI will be able to make a big transfer to the government was misplaced. It was a very good signalling device that the government was very serious about cracking down on corruption and black money. But I do not think it was very effective in curbing it.
My father was a veteran. He fought in World War II. He was a patriot. On the other hand, he had no illusions whatsoever about how Uncle Sam had mistreated him and other black soldiers.
'Misty of Chincoteague', 'The Black Stallion', the 'Saddle Club' books, I read 'em all. I was horse-crazy.
I like technology, but 'Black Mirror' is more what the consequences are, and it doesn't tend to be about technology itself: it tends to be how we use or misuse it. We've not really thought through the consequences of it.
If you are Black or Brown, or a liberal or immigrant or Democrat, or a woman unwilling to quietly submit, then Ailes was the ultimate villain. You were the object of mockery and scorn - sometimes overt, often subtle. You were the thing to be gawked at, pawed at, jeered at, propositioned or feared.
