Umberto Poli was born in Trieste in 1883, when the city was at its zenith as the major port of the Habsburgs. The irredentist sympathies of Umberto's Italian-speaking parents can be detected in their giving him the first name of the Italian emperor.
The power of elegy, even in the face of an unbounded grief, to provide a containing form is vividly embodied by Anne Carson's 'Nox,' a nocturne with carefully controlled visual and tactile properties.
Poets writing in English have long learned to mourn from classical precedents. They have drawn on a tradition of pastoral elegies, which incorporate the dead into the cycles of nature, that runs from Theocritus' Idylls to John Milton's 'Lycidas' and Percy Shelley's 'Adonais.'
