Each time you take a good picture, you have the wonderful feeling of exhilaration... and almost instantly, the flip side. You have this terrible, terrible anxiety that you've just taken your last good picture.
I feel I'm a strange mixture of insecurity and strength. Most of us, probably most people. I'm transferring that same concept to the people I photograph.
It's a touchy subject, but as a Southerner, you can't ignore our history any more than a Renaissance painter can ignore the Virgin Mary. And it's impossible to drive down a road or eat a vegetable or pass a church without being reminded of slavery.
I don't like memoirs. I think they're self-serving, and people use them to settle scores, and I really tried not to do that. You have to have a really interesting life to justify memoir, and my life has been pretty ho-hum.
When we were on the farm, we were isolated, not just by geography but by the primitive living conditions: no electricity, no running water and, of course, no computer, no phone.
Eventually, my highbrow parents, who so hated the Eisenhower suburban culture of the 1950s that the only magazines they subscribed to were 'The Atlantic' and 'The New Yorker,' broke down and got 'Life' magazine.
