We did a black 'Julius Caesar' in which the predominant accent was Caribbean. This offends many people, you know. I also had a Chinese Marc Anthony. I also managed - this caused a great shock - I also got some white guys in it as well!
'Merry Wives of Windsor' is a wonderful machine. It's one of the great farces, and it's astonishing to remember that this is written by the same man who wrote 'Hamlet,' 'The Taming of the Shrew' or 'Cymbeline.' It's so similar, and yet the form is so different.
Everything happens every night for this audience, and it's a very special occasion to come to the theatre.
I don't think perfection is possible. I think you can attempt to reach perfection, but I don't think it's a possible thing. I think perfection is a moving point, and we spend our artistic lives chasing it.
When it was announced I had won the Tony Award, I was in Bangkok doing a movie with Judi Dench. I remember coming back from the location to the Oriental Hotel and hearing someone yelling across the reception area, 'You've won the Tony!' It was wonderful and strange to be halfway around the world.
After I left the R.S.C., I did a musical, 'Masquerade,' where I played a rabbit. I was the lead.
