I have always studied my parts with the orchestral score and not with the piano reduction.
The voice collects and translates your bad physical health, your emotional worries, your personal troubles.
Let us be clear: I take ten times more money for a concert than for an opera performance.
On the other hand, I have devoted so much energy to reach the top that I accept the stress of being there.
When working with an orchestra, you never spend more than 20 minutes per recording session.
This season, over eight productions, I am presenting four young tenors.
