I feel at home in an orchestral score.
Let us be clear: I take ten times more money for a concert than for an opera performance.
On the other hand, I have devoted so much energy to reach the top that I accept the stress of being there.
When working with an orchestra, you never spend more than 20 minutes per recording session.
This season, over eight productions, I am presenting four young tenors.
The voice collects and translates your bad physical health, your emotional worries, your personal troubles.