Hard information on the quantity of bogus art sold is difficult to come by, in part because fraud, when discovered by dealers and auction houses, is usually kept secret to boost public confidence in the art market.
I was a war correspondent and journalist for a long time, and I was very near the towers on 9/11 and very shortly after in Afghanistan.
I was a war correspondent. I've watched great people crumble under pressure and make bad decisions.
When a director is also a writer, everyone on the production looks to him, knowing he gave birth to the idea. There's a different level of viability.
Sometimes, in a fictional story, you can be more honest and truthful, actually. As a journalist, you're a prisoner of the data, in effect. You have to tell the story with evidence you can verify.
Most editors are just worried about their jobs. They're overwhelmed. They're underpaid. They do the best they can.