With screenplays and teleplays, they are mapped, really, in the blueprint of a finished product, which is something you're going to watch on a screen. But a book is an end to itself, really.
When I was young, you went to school, dealt with your friends and drama, went home, did your homework, went to bed, and started over the next day. But that social interaction that happens at school doesn't end now - it goes until the minute you go to bed and starts again when you wake up.
In Britain you're more used to challenging drama. In America, TV is just boring, and numbing, and bloody terrible.
Back 20 years ago, there was a division between movie actors and TV actors. That's kind of gone away. People who have had a lot of success in movies in the past now want to be on TV. There used to be much more of a quality division between TV and movies, and that's kind of not the case anymore.
I would never put on a Mets hat. Only if I was playing a Met as part of the job. Which, actually, I did a long time ago.
At one point, I got to work as an assistant for Martin Scorsese: He wanted to know about all the films coming out, so I would make clippings and put it all in a big scrapbook for him. I was also in charge of his video library - it was like a little video store, and his friends and colleagues would come and borrow films.
