I'd actually love to play Sonny in 'Dog Day Afternoon' now that it's being adapted for Broadway. People don't talk about that movie that much, but it's really a beautiful gay love story.
'New Girl' was a wonderful experience, but for seven years, we were shooting single-cam that is not handheld, that is traditionally shot, and they're asking you to improv, and you're on location. It's a real grind.
I always feel like people in general are much weirder and insane than anybody really wants to admit. How dare somebody watch anything and go, 'That's not real!' Go on the subway. For five minutes.
So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on 'New Girl,' and what my experience on 'Veronica Mars' was like. Everybody was just so great.
When I'm in the car sometimes it's like, 'Yeah, man, just put on the pop music.' You know what I mean? I don't want to listen to Tom Waits.
I just felt like actors - I watched a lot of 'SNL,' and those guys just seemed like they were superheroes - that that wasn't a reality for anyone other than people with superhuman strength. So, I mean, I acted a little bit in high school, but the idea of doing it professionally was just never really an option.
