Most adults, unlike most children, understand the difference between a book that will hold them spellbound for a rainy Sunday afternoon and a book that will put them in touch with a part of themselves they didn't even know existed.
As a teenager, I was always this strange mixture of kind of vice-captain of the rugby team and sensitive artist type the rest of the time. I was sent away to this public school in the middle of nowhere, and I think we managed to completely miss out on normal youth culture.
I like poetry when I don't quite understand why I like it. Poetry isn't just a question of wrapping something up and giving it to someone else to unwrap. It just doesn't work like that.
I've written 16 children's books and five unpublished novels. Some of the latter were breathtakingly bad.
There was a time in my life when I was going in and out of houses that were extraordinarily different - from a working-class terrace in Northampton to the homes of friends who were really very wealthy. It was quite an odd position to be in, I realise looking back, and quite a nice one.
I better make the plot good. I wanted to make it grip people on the first page and have a big turning point in the middle, as there is, and construct the whole thing like a roller coaster ride.
