The name has always occupied a space between the concrete and the abstract, the individual and the social, but when it begins to be shaped and charged with meaning in places removed from the physical world, in that way entertaining the world of fiction, albeit unseen by the majority, at the same time as this fictional world is expanding and taking up an ever greater part of our lives - the TV screens are now not only in our own rooms, but also on the walls of our trains and under the luggage bins of our planes, in the waiting rooms of our doctors' offices and the halls of our banks, even in the supermarkets, quite apart from our carrying them around in the form of laptop computers and cell phones, in such a way that we inhabit two realities, one abstract and image-based, in which all kinds of people and places present themselves before us with nothing in common but being somewhere other than where we are, and one concrete, physical, which is the one we move around in and are more palpably a part of - when we arrive at a point where everything is either fiction or seen as fiction, the job of the novelist can no longer be to write more fiction.