The notion of what is public and what is private has been dissolved. My children see documentaries; they see Instagram. Everyone is very open: it has become less taboo to expose lives.
When I look back at that freedom of childhood, which is in a way infinite, and at all the joy and the intense happiness, now lost, I sometimes think that childhood is where the real meaning of life is located, and that we, adults, are its servants - that that's our purpose.
In 2008, when I wrote Book 1 and Book 2, the head of the publishing house suggested twelve books - one each month. For practical reasons, that didn't work out.
When I started out on 'Min Kamp', I was so extremely frustrated over my life and my writing. I wanted to write something majestic and grand, something like 'Hamlet' or 'Moby Dick,' but found myself with this small life - looking after kids, changing diapers, quarreling with my wife, unable to write anything, really.
Those small things, like giving a hug to man, I try to avoid it. Because I can see the situation is coming, and I try to prepare. But I remember the first time I did it, I was 16, and I was at the gymnasium, and it was a cosmopolitan thing, an international thing, a modern thing, but I never felt at ease with it at all.
Concealing what is shameful to you will never lead to anything of value.
