I often want to go to the movies and see something that transports you beyond the infinite.
I'm a big, big, big techno dork.
I'd grown up in the U.K., where the surveillance apparatus went into place in the 1970s in response to the Troubles with the IRA. When I was a kid, we moved to Chicago, and I was surprised to see you could live in a large city in which you didn't have cameras on every street corner.
In terms of long-term durable storage, the human mind, paradoxically, is pretty good, but it's very fragile.
Look at anyone's bookcase at home, no matter how modest, and you're going to find a book that contains wisdom or ideas or a language that's at least a thousand years old. And the idea that humans have created a mechanism to time travel, to hurl ideas into the future, it sort of bookends. Books are a time machine.
One of the things I love about working with my brother is that there's a commitment there - an unwavering commitment. From our basement in Illinois when I was three years old to Iceland on a frozen glacier with Matthew McConaughey and Matt Damon in spacesuits - there's a commitment to the pure spectacle, the pure cinema of it.
