The digital component is enormous in not only wrestling but all of entertainment. Every day, you read a new blog or article on Netflix, Hulu, this program and that program. It's where everything is heading.
I worked seven years in territories in Japan and Puerto Rico and worked my way up to the main events on those cards, then went to the WWF and spent a little while there before I got into the Intercontinental run and a main event runs with Shawn Michaels and Kevin Nash.
To look back and reflect on the career and sort of look at the seasons of it before I got to the WWF, working the territories and Japan and Texas, Puerto Rico, and then the WWF and WCW, then obviously the TNA years - it's been quite a journey, I'll say that.
When WWF and WCW came along, they weren't the only game in town, but to make a good living, you had to work for one of the two organizations. Without a true Number Two, there is no such thing as a Number One. You're just it; you're just there.
I've never been a rearview mirror guy. I'm always looking forward, always looking downfield.
During intermission, we reward the loudest, rowdiest fans with backstage passes, so we have a meet-and-greet, and then, at the end of the night, we give all the fans an opportunity to actually get up in the ring and have their picture taken with a TNA star. So we're very, very fan interactive.
