Animation translates well to a small screen. When you look at Walt Disney or Chuck Jones - you know, Bugs Bunny - there really isn't any difference if you watch on a very big screen or a computer screen.
By the time I was successful with covers of 'Vogue' and 'Harper's Bazaar' and 'Vanity Fair' and the Lancome contract, someone asked how old I was. They almost fainted when I said 33.
I wanted to make a film about my dad, a sort of love letter, and explain what I understood of his cinema, which was so utopian. I also wanted to give the sense of his cinema, because they have never been very big box-office, but they were very influential.
It's nice to go and be a guest on a television sitcom. It pays well; it's easy because generally it's a supporting role, so you go, you do two or three things, you're in touch with people there. They're widely popular, so they're seen by many people.
I'd love to meet Darwin. He caused such controversy over whether God created the earth in six days or whether we evolved over time. I'd love to discuss that with him - what a fantastic conversation!
My films are comical films. They are made to laugh at. They are comical - and scientifically correct.
