I began composing works which were imitative of the music I was being told about. I was also very interested in translating the music into visual terms.
The whole drive of western culture, the part of it which is serious, is towards an extreme objectification. It's carried to the point where the human subject is treated almost as if it's dirt in the works of a watch.
I was a student at Harvard, and that's where I learned about so-called avant-garde music. Jackson Pollock, abstract expressionism and painting were well known at this time.
At the same time, I was listening to black music, and I began to think that the best musicians were receiving the worst treatment. The people who were doing the greatest work were despised as lower class, with no dignity accorded to what they did.
