Natalie Portman's approach to acting demands that she wears her heart on her sleeve so explicitly, the heart becomes the whole garment - a crimson chemise with streaks of blue veins running across it.
In 'Windtalkers,' the director John Woo is meticulous in melding his own intimate style into the cliches of a large-scale war movie, paying homage to all the tired conventions of the genre. But it's an honor that these cliches don't deserve.
'Boat Trip' is more tiresome and dumb than actually bad.
The action comedy 'Pirates of the Caribbean: Curse of the Black Pearl' raises one of the most overlooked and important cinematic questions of our time: Can a movie maintain the dramatic integrity of a theme park ride?
One thing that I've noticed about big families is that they usually break down into two camps: the talkers and the watchers.
The stoic drama 'A Somewhat Gentle Man' is photographed in a palate of steel gray tones that match Stellan Skarsgard's complexion. It's a low-blood-pressure version of the kind of thing James M. Cain used to do in his sleep, and its filmmaking accomplishment is as minimalist as its narrative ambition is minimal.
