Homosexuality is like an inside baseball thing. It's like a gag that people share; 'How is your husband?' But when it comes to bringing diversity to a broader audience, suddenly it's a different road. It's what we call 'a risk.' Isn't it our responsibility to elevate the standards and change people's perceptions?
'Heartbeats' is a film on people magnifying and subliming reality when they're in love. Hence the overstylized look, the aesthetics, the robes, the dresses, the vintage, hipster-ish look: All of this is voluntary. I'm not a hipster. I'm not!
I'm very much a hypochondriac, worried about dying, and not having enough time to work with the people I want to work with and being fulfilled as an actor.
In 'Laurence Anyways,' Nathalie Baye is Laurence's mother, and she is quite an awful mother. Still, she is the only one in the end who truly accepts her daughter.
When you're adapting, you are working on someone else's problem that they have already solved. The work has been fine-tuned and read countless times, and you're just arriving at the end and taking what you want, so of course it is the regal way to moviemaking. Plays are just the ideal scripts - the structure is there and waiting for you.
Cinema is a thankless industry where sometimes to appear on the cinematic scenery is a thing for late bloomers and people who are very patient. The places are accounted, and the space is often unwelcoming. Money is rare, and independent voices are muted by the almost complete absence of risk takers.
I plough all my money into my next film, so I never actually have any money. It's always invisible.
When I saw Bryan Singer's 'Usual Suspects,' I knew how it was going to end because I'd seen 'Scary Movie.' Which is not the preferred order of things, but that's how it is because my childhood was 'Home Alone,' 'Matilda,' 'Batman Returns,' 'Jumanji,' 'Secret Garden,' 'Jack,' 'Mrs. Doubtfire,' 'Titanic.' Only family films from the '90s.
Here's the thing with the costumes for 'Mommy': Given the background and social strata that the characters come from, you can't really imagine that they've gone shopping lately, so we went for that very normcore, fashionless era in history, the early 2000s, which was completely transitional.
I hadn't watched any Hitchcock movies when I made 'Tom at the Farm,' except for 'Vertigo' when I was 8 years old. I don't have a sophisticated film knowledge, but I have seen the legacy of classic movies in broader entertainment.
