I began writing 'Outlander' in 1988, so the Internet as we now know it didn't exist.
'The Exile' covers approximately the first third of 'Outlander'.
There's not a lot of pictorial evidence from the Highlands, because only the very wealthy had their portraits painted - but there is one well-known painting of the two sons of the Duke of Argyll, wearing tartan.
My sixth book, 'A Breath of Snow and Ashes,' was nominated for a number of book awards, one of which was The Quill Award, and they had it in New York at the Natural History Museum.
Whenever you're dealing with something that's difficult to describe, that you can't get across to someone in a sound bite, it sounds like the normal default is to pick what's easiest, and in the case of fiction written by women, fiction involving women, fiction involving any sort of relationship, the word that comes to mind is 'romance.'
I stagger out of bed, take the dogs outside, and then I'll get a Diet Coke and a couple of dog biscuits and go upstairs. By the time I've consumed my Diet Coke and had a quick run through the morning email and Twitter feed, I will probably be compos mentis enough to work.
I hated 'The Lovely Bones'. I thought her vision of Heaven was amazingly uninspired and very depressing. The book was just tedious.
I learned just recently, in fact, that a lot of people who read do not form a visual image from what they're reading. They just don't. They follow the events and get the resonance with the language, but they have only a vague, general idea of what the characters look like.