I was raised by a single psychologist mother and we spent every evening sitting at the kitchen table and dissecting our emotions and speculating about the inner life of everyone we knew.
I'm really trying to stop setting my plays in this one fictional town in Vermont.
I'm very interested in silence. And, more importantly, in what happens when people aren't talking on stage. I'm interested in letting actors play and do things between the lines. And in slowing everything down.
I was a very self-righteous 15-25 year old. Anyway, I wake up every morning and thank God I'm not a kid anymore.
I feel like there's an obsession with pace right now in theater, with things being very fast and very witty and very loud, and I think we're all so freaked out about theater keeping audiences interested because everybody's so freaked out about theater becoming irrelevant.
If anything, I was the opposite of most college students who think they can do anything.
